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Spine-tingling moment: An appreciative Jagger swoons: "Awwwwww yeaaaaaah!" after the first riff. This opener on the Exile album soars on word go, on the wings of a superb Richards riff. No other guitarist pounds out such exciting, invigorating licks with his regularity. Richards is the only guitarist where you can recognise his riffs instantly.
The rolling stones songs full#
Spine-tingling moment: It's a sexy stomp, full of innuendoes and sinister sexual intent. That Jagger came up with a list of how he has tamed his women, well, blame it on the boogie. Misogynism aside, the Stones sway through a confident swath of marimbas (courtesy of the late Brian Jones), swinging drums and gleeful bass. Spine-tingling moment: The two guitar stabs that echo Jagger's confident yelp: "Don't stop!" Jagger has the easiest job here, telling another lascivous tale with another woman. It's all about the groove again, Watts picks up a steady beat to let Wood and Richards spin off duelling riffs with aplomb. Spine-tingling moment: The sinewy, driving riff that propels the song from word go.Įven at their advanced age, count the Stones to come up with such a kick-ass track effortlessly. Just listening to that groove pounded out by the band, not many rock bands can outdo them, not even the Fab Four. Spine-tingling moment: Richards complements with inspiring acoustic guitars along the way.Īfter a bitter bicker, the Toxic Twins put aside their differences in the 1980s and come up with this instant classic. The way he wraps his voice around "Angie, Angie, you can't say we never tried" is soul. Spine-tingling moment: "Love me, hold me, love me, hold me" The chorus release is wondrous.Įither you're fan of Jagger's slurry vocals, or you're not.
The rolling stones songs tv#
You've heard in the TV ads, you've heard Soup Dragons' updated version, you think it's a bouncy pop song written in the 1990s. Spine-tingling moment: Middle of first verse, after the line "With a smile on your face and a tear right in your eye", Jagger lets go a mournful "Oh." that made the song.
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His vocal prowess is seldom noticed amid all his posturing, but for a white band to plunder black music as successfully as the Stones had, his voice has to stand up against all the bluesmen. Tagged as the penultimate track on their greatest album, the overlooked gem takes flight on Jagger's soulful, gospel voice. But, more often than not, it has been the Stones. Lately, I would give the edge to the Fab Four. So am I a Stones guy, or a Beatles guy? Dunno, depends on my mood. Ronnie Wood and Charlie Watts are the bemused sidemen to the whole hoopla. Mick Jagger and Keith Richards define what it means to be the frontman and sidekick of a rock band. They were amazing, considering the energy exuded when all members are already 60 years old. It was the privilege of my lifetime that I got to see the Stones live, two years ago. They are still churning out songs, by the way, 35 years after the Beatles split. Even more awesome: while the Fab Four tore through every musical genre, the Stones stuck true to the basic, blues-based, country-tinged rock and roll. The best Stones songs are no less memorable than the greatest Beatles classics. If that is so, then give me the gritty swagger of the dark side, anytime. The cliche is that The Beatles represent the clean-cut, positive image of rock and roll, while The Rolling Stones are the seedy, dark underbelly.